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The Assassination of Jesse James by the.Īll content copyright 2001-2007 stylusmagazine.New York Film Festival 2007, Part III.King of Kong: A Fistful of Quarters.Lars and the Real Girl - Craig Gillespie.The Seeker: The Dark Is Rising - David.Stylus Magazine’s Top 10 Zombie Films.Bruce Springsteen and the E Street Band. DJ Khaled ft Ludacris, Rick Ross, Snoop Dogg and T Pain - All I Do Is Win (Dirty) 08:26:46 DJ Mr.Jens Lekman - Night Falls Over Kortedala.Myka 9ft. Lauren) Album: In My Mind Genre: 7Hip-Hop.
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Artist: Pharrell Song: Skateboard P Presents Show You How To Hustle (Feat. 15-pharrell-skateboard p presents show you how to hustle (feat lauren).mp3. Personality tanks, too: now just another disagreeable vaudeville act and “superstar” producer, Pharrell veers off into the self-indulgent stage show right when he’s supposed to be pulling us in for a trip into that precocious Mind of his. Slim Thug) Album: In My Mind Genre: 7Hip-Hop. There are no Neptunes beats-only out-of-his league samples and a consistent overloading of syllables and garbled words during verses. Audiences have been fascinated with people-as-artists since artists started making their personal lives a part of the art itself (Plath, Ginsberg, Pollock, Simone, Scarface, Jay-Z). It’s both talent and personality and it’s got nothing to do with rap. ?uestlove made a trenchant point in an interview recently: personality means everything in contemporary rap.
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said he, 'Now, let us rejoice for we are about to taste the drink of the gods. When Pharrell is at his best (“Frontin,” “Shake Ya Ass”), he’s rude and boyish in the same breath. In My Mind (The Prequel) Mixtape by Pharrell Hosted by Dj Drama In My Mind (The Prequel) In clone wars, all the venators do is mostly explode. There’s no attempt at shape or flow-lines just spill from his mouth like dry sand. That or he’s blandly violent and a bit blunt in constructing his new “bad-ass” persona: “Killin’ niggaz at fifteen / Cool as a fan.” It’s a rip-off line, but more importantly it’s horribly done, delivered with no urgency, tone, or involvement. His preoccupation with his childhood obsession with conscious rap is on easy display Williams seems to think emotional depth is talking about being a nerd for two bars from an otherwise-gilded birdcage. Then he sputters through the dozen and a half tracks, reminding us that he’s one call away from the CEO’s at Vuitton, Prada et al. But, in true mix-tape form, Pharrell leans on old melodic chestnuts (Ice Cube’s “It Was a Good Day,” Grandmaster Flash’s “The Message,” Erik B & Rakim’s “Paid in Full,” and a shit-load of Wu-Tang). Pharrell has long been the dandy boy-wonder of hip-hop’s melodies, and the whole selling point of In My Mind proper is to have maximum Neptunes goodness. He shift from geeky Prince-germinated bass-lines and falsetto hooks to plain-spoken, emotionless, rich-boy malaise rapping-“Me and a few shorties / Landing on a tarmac / Paris Hilton right before me”-makes Pharrell’s In My Mind: The Prequel in equal turns gratingly obnoxious, clearly unnecessary, and a dark omen for his long-delayed solo album, In My Mind.